Performing Arts
REVIEW: Jonah and Otto, The Royal Exchange Theatre
REVIEW: Like a good meal, Jonah and Otto is a play that should be savoured and ideally seen more than…
REVIEW: Major Barbara, National Theatre
REVIEW: Unless it’s a singalong with Martine McCutcheon’s Eliza Dolittle, George Bernard Shaw’s works are often bracketed as set text…
Achieving that Promotion: career progression in the creative sector
Progressing your career in the creative sector is not necessarily easy. Traditionally, achieving promotion was all about moving up through…
To volunteer, or not to volunteer. That is the question...
Emily Childs does what a lot of arts workers do when they are starting out - volunteers her time for…
REVIEW: Now Then, The Bluecoat, Liverpool
REVIEW: To the non-football fan, Liverpool is synonymous with the Beatles, and the Beatles are synonymous with Yoko Ono. So…
Cello Diva feels right at home
Cellist Sally Maer relates her unusual musical evolution from Royal Academy student to Cello Diva.
Changing Image of Black Women in Film
So does the changing role of Black women in films equate with advances made by women of other ethnicities? The…
Profile of the artist, Rose Gibbs
Meabh Ritchie speaks to artist Rose Gibbs about art, Valentines Day, sex, babies, being a feminist, and how she got…
The jobbing actress: Melanie Walters from Gavin and Stacey
At last the wait is over and the second series of the hilarious ‘Gavin and Stacey’ returns later this month.…
REVIEW: The Children's Hour, The Royal Exchange Theatre, Manchester
REVIEW: Sarah Frankcom, (a newly appointed Artistic Director at The Royal Exchange Theatre), draws on expressionist techniques to heavily underline…