Performing Arts
THEATRE REVIEW: A Disappearing Number
Much of the complex theory expressed in the play was beyond me and, I suspect, most of the rest of…
The Alternative Guide to London’s Frieze Week
London is preparing for a flood of thousands of artbods pouring into London for Frieze. But there are many other…
Heat up your autumn nights: Top 10 MUST SEE shows this autumn
This season we are truly spoilt for choice when it comes to great theatre. What’s worth seeing? Which shows should…
London Bubble’s Urban Dreams: Daring to dream again after the fall.
With their latest theatre project, Urban Dreams, just finished the London Bubble’s artistic director Jonathan Petherbridge tells how they’re bouncing…
DANCE REVIEW: Bangarra Dance Theatre with The Australian Ballet, Rites at Sadler's Wells
Bangarra Dance Theatre is proclaimed to be Australia's most celebrated contemporary dance initiative inspired and informed by indigenous practices. This…
Paul Newman: In Memoriam
Pushing and pulling...pummeling and kneading until the flesh is ready...is ripe. And only then did the body rise from a…
MUSIC REVIEW: Orion Symphony Orchestra
Here is a vital and fresh-faced contender in London's professional orchestral scene. The fledgling Orion Symphony Orchestra is a healthy,…
Money saving tips for culture
With a credit crunch hitting everyone’s pocket, new research from T-Mobile has revealed that on average we spend over a…
The Women
It is unfortunate that Clare Boothe Luce`s trenchant view of Thirties New York Anglo-Jewish society never has been translated onto…
THEATRE REVIEW: Pinter, National Theatre
A Slight Ache and Landscape, currently a double bill on the Lyttleton stage at the National Theatre