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THEATRE REVIEW - Architecting, The Pit (Barbican)

Architecting draws heavily on both the film and book of Gone With The Wind. At 150 minutes, it is pretty…

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THEATRE REVIEW - Twelfth Night, Courtyard Theatre

Have a bloody good time if it’s designer Robert Jones’ Ilyria in Gregory Doran’s Twelfth Night, currently in the Courtyard…

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THEATRE REVIEW - Raoul, Barbican Theatre

The best stage magicians are those who make you gasp with amazement at their ability to force you to suspend…

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THEATRE REVIEW - The Power of Yes, National Theatr

There is nothing more infuriating than public naval gazing by media types. Who cares how the news is made? News…

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OPERA REVIEW - L'Heure Espagnole/Gianni Schicchi

“It’s a nice little thing, but I wouldn’t want to see it again.” This was the verdict of an exquisitely…

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THEATRE REVIEW - Wind Shadow, Barbican Theatre

Having spent a year working in Taiwan, I was lazily expecting something to do with dragons to the tune of…

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THEATRE REVIEW - Our Class, National Theatre

The rise of social networking has brought back unpleasant memories of school for many users - it seems it will…

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OPERA REVIEW - Carmen, Royal Opera House

You just know it’s going to end in tears when you get to go out with someone patently out of…

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THEATRE REVIEW - Mother Courage, National Theatre

Mother Courage is by no means a sympathetic figure and it is made pretty clear that her pursuit of profit…

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OPERA REVIEW - Tristan und Isolde, Royal Opera House

It is always awkward when you start seeing someone at work on the sly. This is a – very –…

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