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How verbatim theatre can keep history alive
In retelling the long and often bitter campaign for gay law reform in Tasmania, the new production ‘The Campaign’ not…
Why we need strong women to lead risk-taking in the arts
It's easy to talk about breaking glass ceilings and taking risks, but the National Gallery's Assistant Director Alison Wright shows…
ICYMI: this week’s arts news round up
From a new art market platform to a commission to mark the national apology to Child Sexual Abuse, ArtsHub recaps…
Art lessons from William Kentridge
William Kentridge shared wisdoms of life in the studio – including embracing stupidity, bastardry and saying no – during his…
Peer mentorship offers rewards beyond the silo of geography
A new program led by the British Council pairs Australian and British arts colleagues from minority and First Nations backgrounds…
How a sober stint impacts your creativity
Does alcohol lubricate our creativity or stifle our best work? Creatives weigh in on how sober stints have impacted their…
Toxic workplaces feed the impostor phenomenon – here’s why
The impostor phenomenon breeds from a mix of genuine personal doubt over work abilities and the collective experience of a…
Review: William Kentridge at AGNSW
Curated by Kentridge himself, this is a great celebration of creative engagement and its capacity to dovetail into every aspect…
Eight things every screenwriter needs to know
Screenwriter, script advisor and educator Kathryn Burnett schools you up on nailing your script.
The Sydney Opera House is not a billboard – sector speaks out
Anger across the sector as NSW Premier orders the Sydney Opera House to be used for horse racing advertisement –…