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NFT art: the bizarre world where burning a Banksy can make it more valuable
Unsure how burning a Banksy original could make it more valuable? Welcome to the world of non-fungible token art.
Should you care whether you are emerging or not?
Is the emerging artist label only useful for finding grants and opportunities, or can creative practitioners benefit from thinking about…
Introducing more diverse arts writers
Thanks to a new partnership ArtsHub is seeking new writers, with a special focus on writers of colour.
Theatre review: Harry Potter and the Cursed Child Parts 1 and 2
After 49 weeks, The Boy Who Lived returns to the Melbourne stage – the first international production of the sequel…
A catalyst for the Aboriginal art market, Papunya Tula turns 50
Christopher Hodges was one of the first Australian art dealers to represent and champion contemporary Aboriginal artists. Here, he reflects…
The magic is back: Harry Potter and the Cursed Child returns to the stage
Actors discover muscle memory propelling them across the stage after 49 weeks off, and also discuss the impact of J.K.…
The ‘business’ of craft shouldn’t be an oxymoron
Damien Wright believes the future is in the handmade, especially as we emerge as a new economy out of COVID-19,…
What the pandemic has taught us about disability and what we still have to learn
If non-disabled artists listen to those with chronic illness and disabilities, we may yet re-build as a kinder, more robust…
Chinese-speaking students a largely untapped arts audience, says new report
Drawing on a comprehensive survey of 600+ Chinese-speaking students, a new report provides insights and case studies to help arts…
Are we ready for cultural climate change?
What should we take with us from COVID? In a year when everything changed, Shantel Wetherall looks at how we…