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The magic is back: Harry Potter and the Cursed Child returns to the stage
Actors discover muscle memory propelling them across the stage after 49 weeks off, and also discuss the impact of J.K.…
The ‘business’ of craft shouldn’t be an oxymoron
Damien Wright believes the future is in the handmade, especially as we emerge as a new economy out of COVID-19,…
What the pandemic has taught us about disability and what we still have to learn
If non-disabled artists listen to those with chronic illness and disabilities, we may yet re-build as a kinder, more robust…
Chinese-speaking students a largely untapped arts audience, says new report
Drawing on a comprehensive survey of 600+ Chinese-speaking students, a new report provides insights and case studies to help arts…
Are we ready for cultural climate change?
What should we take with us from COVID? In a year when everything changed, Shantel Wetherall looks at how we…
Carly Findlay on centring disability in our latest podcast
In the latest ArtsHubbub episode, we speak with Carly Findlay about ableism, the media and the new book Growing Up…
The future for exhibition openings in a digital post-COVID world
As galleries moved online in the pandemic some found tools that would bring them to new audiences while others missed…
The art of the impossible: International collaboration during COVID
Companies collaborating with Irish and New Zealand colleagues tell us how their productions are forging ahead despite the pandemic. Dogged…
The 4 Rs: Exploring trauma-responsivity and self-care
The theatre sector needs a trauma-responsive rehearsal process, argues community-engaged artist Claire K. Redfield.
Rebooting the museum of the moving image
After closing for a major make-over (and pandemic postponement) the Australian Centre for the Moving Image is re-opening with a…