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Controversial London-based art critic, Brian Sewell, recently expressed outrage that an exhibition of works by European post-War artists group, Cobra,…
Footing the bill
The bill regarding the licensing of public live entertainment in England and Wales, currently in the Lords committee stages, has…
Healing wounds with words
If Eric Charles hadn't had to leave his native Cameroon to be humanly trafficked (via Malta) to Russia - before…
TAG plays with fire
A collaborative initiative in Glasgow, between children's theatre company, TAG, the Glasgow City Council and the Glasgow Anti-Racism Alliance (GARA),…
Taking it to the streets
For a small-scale touring company, Pursued by a Bear does an awful lot. From employing a company writer, to working…
Resonating in Manchester
If it is true that a semblance of cultural isolation exists within the world's musical community, it is one that…
Spymonkey farewell UK
Brighton-based comedy theatre company, Spymonkey, are set to sign a contract with Cirque du Soleil for a two-year stint in…
Purely planktonic
When Sarah Parker-Eaton and Louise Hibbert stumbled across each other's work four years ago, they instantly recognised their designs were…
Mime time
The London International Mime Festival is about to turn 25. For a quarter of a century, founder and director Joseph…
Getting sticky in Sydney
Phelim McDermott, one of the directors of UK's Improbable Theatre, is currently at the iconic Sydney Opera House, co-ordinating workshops…