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Footing the bill

The bill regarding the licensing of public live entertainment in England and Wales, currently in the Lords committee stages, has…

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Healing wounds with words

If Eric Charles hadn't had to leave his native Cameroon to be humanly trafficked (via Malta) to Russia - before…

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TAG plays with fire

A collaborative initiative in Glasgow, between children's theatre company, TAG, the Glasgow City Council and the Glasgow Anti-Racism Alliance (GARA),…

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Taking it to the streets

For a small-scale touring company, Pursued by a Bear does an awful lot. From employing a company writer, to working…

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Resonating in Manchester

If it is true that a semblance of cultural isolation exists within the world's musical community, it is one that…

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Spymonkey farewell UK

Brighton-based comedy theatre company, Spymonkey, are set to sign a contract with Cirque du Soleil for a two-year stint in…

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Purely planktonic

When Sarah Parker-Eaton and Louise Hibbert stumbled across each other's work four years ago, they instantly recognised their designs were…

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Mime time

The London International Mime Festival is about to turn 25. For a quarter of a century, founder and director Joseph…

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Getting sticky in Sydney

Phelim McDermott, one of the directors of UK's Improbable Theatre, is currently at the iconic Sydney Opera House, co-ordinating workshops…

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Not just clowning around

De Castro is a clown. But don't ask her to wear a red nose. And, just for the record, she…

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