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Art for the Market’s Sake?

Even the most idealistic and independent artists in the US must rely more and more on private sources of funding…

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Europa, Hollywood or bust

A press release issued by the Council of Europe's European Audiovisual Observatory on the eve of the 58th International Cannes…

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Florida defrocked

Richard Florida’s Rise of the Creative Class was published in 2002. Since then, in between speaking engagements, he has written…

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Art in China – the lotus is in bloom

That China will become the next world superpower has been the argument of economists for decades, and few now doubt…

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An Ancient Prejudice: Women Artists and the Struggle for Equality

In 1989, New York feminist collective The Guerrilla Girls dared to ask the question, 'Do women have to be naked…

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Creative Clusters Conference 2005: Unlocking the secrets of a creative economy

The creative and cultural industries are now big business. Sources suggest that, creative industries in the UK are growing twice…

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Is it war on terror or war on the arts?

Last year, Arts Hub UK carried the story of US citizen Steve Kurtz, a Buffalo University Professor of Art, who…

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When disaster strikes

In a post 9/11 climate, preparation in the face of an emergency is an integral part of government administration and…

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Missing, presumed stolen

Last August, the art world stifled a collective scream of frustration when two paintings were stolen from the Munch Museum…

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Arts Institutions - Just in it for the money?

What's the world coming to when the Guggenheim starts selling the rights to its name? Yes this icon of the…

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