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No Limits: Sotheby’s Staff Exhibition

Would working alongside old and modern masterpieces everyday fuel or extinguish your creative ambitions - fortunately for Sotheby’s, its employees…

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Stars leave the ‘Wasteland of Hollywood’ for the bright lights of London

There is something very tangible about being in the presence of your favourite pop or screen star. It’s as if…

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REVIEW: Dead Man’s Shoes

As Shane Meadows's latest film This is England makes it to DVD this month Garan Holcombe reflects on another of…

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Career Profile: Elena Greer, curatorial assistant

Charlotte Appleyard catches up with Elena Greer who works as a curatorial assistant at The National Gallery in London which…

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Big questions drive our artists

ARTS HUB AUSTRALIA: Many artists are what psychologists call "trait curious", that is, someone who probes deeply into their existence,…

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REVIEW: The LSO's innovative Sound Adventures

Meabh Ritchie reviews Sound Adventures from The London Symphony Orchestra and UBS, which is an innovative commissioning project that will…

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Career Profile: Bryan Oliver, actor

The UK blew Eurovision again this year, but stage/TV/film actor Bryan Oliver restored our EU credentials when he carried off…

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The grad shows

"I am not cool enough to go to degree shows. I look awful in footless tights, the only time I…

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Making the arts accessible for everyone

When we are all given the right to create and partake in the artistic experience, who knows what we could…

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REVIEW: Claire Harkess at The Plockton Gallery

REVIEW: Gordon Haynes looks at Plockton Gallery's exhibition of work by Claire Harkess, who was born in Ayr, Scotland and…

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