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Review: The Simpsons Movie

Like the second coming of Christ it would be something of an understatement to say that The Simpsons Movie has…

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Features

Career Profile: Jessica Ferguson, film maker

Jessica Ferguson is one of London’s new generation of filmmakers, studying film at the London College of Communication but to…

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Opinions & Analysis

Empty Skulls and Pearly Kings

Moogee gets snarly about skulls, commercialism and the art world.

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News

A Passage to India

ARTS HUB AUSTRALIA: In 2006 I travelled to India and spent a month discovering and working with artists trained in…

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Features

Jardins Publics: The history and role of gardens in life, art and Edinburgh

Edinburgh International Festival invited the curator Katrina Brown to conceive of a series of events which celebrate and draw attention…

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Opinions & Analysis

Two authors: two headlines

As the final book in JK Rowling’s Harry Potter series dominated publishing industry events last month, selling a record-breaking three…

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REVIEW: I For India, ICA films

While I For India is billed as Sandhya Suri’s first feature length documentary, the reality is that its makers are…

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REVIEW: The Hothouse by Harold Pinter, National Theatre

It has been a good year for Harold Pinter: Betrayal sold out at the Donmar and now Britain’s greatest living…

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Features

Career Profile: Doreen Wittenbols, painter

Jesse Errey speaks to Doreen Wittenbols, a Dutch/Canadian painter currently working and exhibiting in Amsterdam, in the Netherlands.

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Features

Watching you, watching me: Surveillance cinema

Following on from last Friday's feature on censorship and the arts, Garan Holcombe takes a look at ‘surveillance cinema’, which…

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