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REVIEW: War Horse, The National Theatre

REVIEW: "If you can make it to the end without crying, then you should race to A & E and…

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REVIEW: The World As A Stage, Tate Modern

REVIEW: The World As A Stage is the first exhibition at Tate Modern to bring gallery-based and live work together.…

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Managing Wellness in the Ethically Exhausted

It is an interesting dichotomy that creative sector organisations are still experiencing difficulties with staff burnout and ethical exhaustion. So…

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Ghosts in the Projector: haunting a cinema near you

Ghosts and hauntings have long been a popular choice for film and television. The recent film, 1408, based on a…

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A riveting place

It’s been three weeks since opening night and Rivington Place is quickly establishing itself as London’s foremost centre for multicultural…

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Brief encounter of the bookish kind

We dream of film noir-like chance meetings. A smoky coffee shop, a glance, a folded note at the end of…

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A Play, a Pie and a Pint at Shunt Vaults

London theatre listen up: Paines Plough has joined forces with Glasgow’s Òran Mór to present four exciting world premieres by…

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Career Profile: Chris Jaeger, chief executive, Worcester Live

Chris Jaeger is chief executive of Worcester Live as well as chairman of the Guild of Drama Adjudicators, MD of…

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The art world’s best kept secret?

From helping in his father’s antiques business to owning his own gallery has taken Paul Jones on a journey via…

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REVIEW: Lagerfeld Confidential, a film by Rodolphe Marconi

REVIEW: It’s nice when a film can mix your two interests. In this case, my addiction to fashion magazines had…

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