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REVIEW: Testing the Echo, Tricycle Theatre, London

REVIEW: Testing the Echo is one of those plays where you only find out what the title refers to halfway…

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Opinions & Analysis

Into the Interval?

David Trennery tackles the contentious issue of the interval: overpriced drinks, bad acting, sullen drama student staff, long toilet queues…

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REVIEW: Deutsche Börse Photography Prize, Photographers’ Gallery, London

REVIEW: The Photographers’ Gallery would have to be the perfect Saturday afternoon gallery. Right in the middle of Soho/Covent Garden…

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REVIEW: The Vortex, Apollo Theatre, London

REVIEW: Noel Coward needs no introduction, and Felicity Kendal only needs a tiny one, to make sure you don’t remember…

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REVIEW: Days Of Significance, Tricycle, London

REVIEW: There is no interval and scarcely any break in the searing intensity of the subject matter, language and violence.…

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REVIEW: Ansel Adams, City Art Centre, Edinburgh

REVIEW: Gordon Haynes reviews Ansel Adams: "The artistry shines out and, for their time, they must have been truly ground-breaking".

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Features

Pay Attention – asking for and getting that increase in pay

It's that time of year – Spring is here along with the start of the new financial year. You're looking…

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Opinions & Analysis

Strangelove

I'm not a war correspondent. I'm a comedian. Sometimes though, if I'm lucky I get to listen to my jokes…

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REVIEW: Jonah and Otto, The Royal Exchange Theatre

REVIEW: Like a good meal, Jonah and Otto is a play that should be savoured and ideally seen more than…

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REVIEW: Major Barbara, National Theatre

REVIEW: Unless it’s a singalong with Martine McCutcheon’s Eliza Dolittle, George Bernard Shaw’s works are often bracketed as set text…

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