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THEATRE REVIEW: Afterlife (National Theatre)

When the space race was at its height in the 50s and 60s, NASA spent millions of dollars developing a…

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Opinions & Analysis

A problem called Maria: creative designer?

I’ve long forgiven her all the screaming. It just doesn’t get in the way enough and never has. But recently…

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Features

Mike Leigh speaks to Arts Hub

Interviews have never been easy for me, and interviewing Mike Leigh was no exception. As a matter of fact, because…

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THEATRE REVIEW: A Clockwork Orange - Belt Up (nothing to see / hear)

This new production of Anthony Burgess' 1962 novel promised to be a brutal and harrowing ordeal.

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Features

Moor Music Festival Approaching

The Moor Music Festival is rapidly approaching, with the festival kicking off its 3 day line-up on the 7th of…

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THEATRE REVIEW - The Revenger's Tragedy - National Theatre

It should not be possible for The Revenger’s Tragedy at The National Theatre to be as good as it is.…

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VISUAL ARTS REVIEW: Psycho Buildings - Hayward Gallery

After the runaway success of Anthony Gormley’s Blind Light last year, the Hayward is set for another summer blockbuster with…

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THEATRE REVIEW - Pygmalion - The Old Vic

It is a new job that flower girl Eliza Doolittle is after when she presents herself at the house of…

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Features

Edinburgh Comedy Festival shakes up the Fringe

Edinburgh will host its first annual Edinburgh Comedy Festival this August in conjunction with Scotland’s legendary Edinburgh Fringe Festival.

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Opinions & Analysis

Make them laugh, make them cry...

When I sat down to write my column for this month, I thought back over my last few postings. I’ve…

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