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PERFORMANCE REVIEW: Apples & Snakes, Soho Theatre

Fast becoming one of London’s most exciting literary groups, Apples & Snakes is pushing the boundaries in poetry and spoken…

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OPERA REVIEW: Les Contes d'Hoffmann, Royal Opera House

Time has withered neither the opera nor this version of it. The props, costumes and sets are fantastic$$s$$ sitting in…

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VISUAL ARTS/VENUE REVIEW: The Double Club

Thursday 20 November saw the pre-launch of a temporary new hangout in London as the German artist Carsten Höller, known…

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THEATRE REVIEW: The Tragedy of Thomas Hobbes

The eponymous hero of the RSC’s The Tragedy of Thomas Hobbes by Adriano Shaplin at Wilton’s Music Hall in London…

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Career Profile: Lucy Gough, playwright

Lucy has written for theatre and radio for over 15 years, writing for Hollyoaks for 10 years alongside this.

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Steve McQueen's Hunger

Making art out of a political event or character can be a minefield. When I first heard that a Turner…

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THEATRE REVIEW: Firsts 2008

Programme including Hambre (Compañia LA), The Canon for Duet (Chisato Minamimura Dance Company), Beautiful Dance (Albert Quesada and Vera Tussing),…

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Theatre Cuts

If the Council decides to make dramatic cuts, projects and shows put on by institutes such as the Bristol Old…

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THEATRE REVIEW: Drifting and Tilting

Scott Walker's Drifting and Tilting at the Barbican Theatre last week was a consummate performance art miracle.

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THEATRE REVIEW: Delirium, Theatre O at the Barbican Pit

I do not know whether Enda Walsh is a dab hand in the kitchen but he’s introduced more than a…

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