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Opinions & Analysis

Publishing the credit crunch

Super Thursday, which saw the publication of 800 books on one day in the race to reach the Christmas top…

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Features

Freedom to Freelance: creative independence

In the creative industries, freelancing is far from rare, but before you take that first step, there’s a whole host…

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PERFORMANCE REVIEW: Lucha Libre London, Roundhouse

Following the classic story of Good v Evil, Lucha Libre’s masked wrestlers battled it out to win - not only…

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THEATRE REVIEW: Hansel and Gretel, Catherine Wheels at Barbican

Catherine Wheels’ promenade production of Hansel and Gretel, currently at the Barbican, is anything but disappointing.

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THEATRE REVIEW: Zero, Theatre Absolute

Zero is the story of one of hundreds of interrogation camps set up twenty years from now to extract information…

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Opinions & Analysis

Christmas Exhibitions in the Highlands

I go to three churches before Christmas and they’re all within a few miles of each other, which is most…

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Features

Stop Me If You've Heard This

Jim Holt, author of Stop Me If You’ve Heard This explains where jokes come from, whilst sharing a few of…

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MUSIC REVIEW: Ricordi - Beyond 200

The dual company of the world-class ELISION Ensemble and featured Ricordi protégé, Perth composer Liza Lim, essentially transformed what might…

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PERFORMANCE REVIEW: Apples & Snakes, Soho Theatre

Fast becoming one of London’s most exciting literary groups, Apples & Snakes is pushing the boundaries in poetry and spoken…

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OPERA REVIEW: Les Contes d'Hoffmann, Royal Opera House

Time has withered neither the opera nor this version of it. The props, costumes and sets are fantastic$$s$$ sitting in…

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