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THEATRE REVIEW: Armature of the Absolute

This is punk theatre at its best. Marseille-based marionette circus Buchinger's Boot is a glorious, gluttonous junkyard of scavenged paraphernalia…

Opinions & Analysis

Going to the Cinema

As a kid growing up in the 50s and 60s, visiting the cinema was a near-magical experience. Gone were the…

Features

Dev Patel: Slumdog Millionaire

Dev Patel, lead actor in Danny Boyle’s latest film Slumdog Millionaire, talks to Samiat Pedro about landing his dream role,…

Opinions & Analysis

COLUMN: Jean Muir: A Fashion Icon

Muir is renowned for her development of the classic and elegant fashion aesthetic, and now a year after her eponymous…

Features

Diary of an Actress

Shaking her hair out of its tight bun to further suit the casting breakdown (“Italian bombshell, busty, curvaceous, Sophia Loren…

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News

One jig's up, but party rolls on

WHEN Irishman Fergus Linehan arrived in Sydney from Dublin in 2004 as incoming director of the Sydney Festival, he hardly…

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Features

Coaching for a Creative Life

Arts Hub gives you the latest on coaching and why it could be right for you, your business and the…

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THEATRE REVIEW: August: Osage County, National Theatre

Tracy Letts’ masterpiece comes in at almost 4 hours and it is hard to see how it could be made…

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DANCE REVIEW: Matthew Bourne's Edward Scissorhands

You do not need to know Tim Burton’s 1990 film to enjoy Matthew Bourne’s modern ballet.

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THEATRE REVIEW: The Cordelia Dream, RSC

In Marina Carr’s new work The Cordelia Dream, for the Royal Shakespeare Company at Wilton’s Music Hall, an old man…

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