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THEATRE REVIEW: The Taming of the Shrew, Royal Shakespeare Company
The prologue is set in a present day pole-dancing bar and allows Morrison to frame the rest of the action…
INTERVIEW: Audio-visual project ‘One eskimO’
One eskimO is a 4-piece band that combines beautiful music with gorgeous animations. Musically, they are produced by Rollo (Faithless)…
THEATRE REVIEW: Big The Musical, Stage One Theatre Company
The songs in this musical are not tremendously catchy, but they are enjoyable, and Stage One performed them all well,…
Profile: Maureen Gamble, Head of Art and Design, University of Worcester
Maureen Gamble (MA, PgDip Fine Art, FHEA) is head of the Division of Art, Design & Creative Digital Media, University…
Hats off to Mr Jones
I spent four days in seven at my old job working for the BBC, and one day a week helping…
A Celebration of African Theatre
Exploration of everything African is now penetrating cosmopolitan London, creating a home from home experience on stage for those living…
THEATRE REVIEW: Othello, RSC, Hackney Empire
It is clear that a great deal of thought and expense has gone into this production and it starts well…
Traversing the Altermodern: Tate Britain’s 4th Triennial
If Altermodern’s curator, Nicolas Bourriaud, is to be believed, the time for Altermodernism is not now, but everywhen. Starting from…
It’s the Business: creativity in action
Thinking of running a creative business? Need some advice? We talk to two experts in the field.
CIRCUS REVIEW: Quidam, Cirque du Soleil, Royal Albert Hall
Cirque du Soleil presented a very surreal, intricate, professional and stunning show at the likewise stunning and perfectly transformed Royal…