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Diary of an Actress
Shaking her hair out of its tight bun to further suit the casting breakdown (“Italian bombshell, busty, curvaceous, Sophia Loren…
One jig's up, but party rolls on
WHEN Irishman Fergus Linehan arrived in Sydney from Dublin in 2004 as incoming director of the Sydney Festival, he hardly…
Coaching for a Creative Life
Arts Hub gives you the latest on coaching and why it could be right for you, your business and the…
THEATRE REVIEW: August: Osage County, National Theatre
Tracy Letts’ masterpiece comes in at almost 4 hours and it is hard to see how it could be made…
DANCE REVIEW: Matthew Bourne's Edward Scissorhands
You do not need to know Tim Burton’s 1990 film to enjoy Matthew Bourne’s modern ballet.
THEATRE REVIEW: The Cordelia Dream, RSC
In Marina Carr’s new work The Cordelia Dream, for the Royal Shakespeare Company at Wilton’s Music Hall, an old man…
THEATRE REVIEW: The Twelve Days of Christmas, Chickenshed
The Twelve Days of Christmas is effortlessly professional, slick and witty.
Pantomime and the Musical
Where the British panto is sadly lacking at the moment is in its use of original songs for this institution.…
Christmas DVD shopping? Perfect ways to pick a winner – 397 to be exact
Samiat Pedro makes sure you’re always one step ahead. Paul Simpson's new Movie Lists, 397 Ways To Pick A DVD…
OPERA REVIEW: Hänsel und Gretel, The Royal Opera
I do not see the problem with ‘family shows’ exploring the stories’ darker strands. What are fairytales for if they…