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THEATRE REVIEW: Deep Cut, The Tricycle Theatre

A simple living room set and the confessional, conversational tone of the writing combine to achieve something that is beyond…

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THEATRE REVIEW: Burnt by the Sun, National Theatre

Chekhov’s name is mentioned in the dialogue and serves to underpin a particularly Russian form of nostalgia that could be…

Features

A small place for words: Urban Writers' Retreats in London

Founder of The Urban Writers Retreat, Charlie Haynes, says the idea for the retreats came from her abundance of ‘other…

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VISUAL ARTS REVIEW: Artist Rooms, Scottish National Gallery of Modern Art

Despite the sign there are no paths, only grassed banks and ramps, so this interactive sculpture is only good until…

News

VISUAL ARTS REVIEW: The National Gallery of Scotland

The National Gallery complex on Edinburgh’s Mound is the capital’s top free visitor attraction. Walk through Playfair’s stripped classical, red…

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VISUAL ARTS REVIEW: Four Scottish Painters, Dean Gallery, Edinburgh

This spring the Dean is showing the works of four Scottish painters: Wilhelmina Barns-Graham, John Bellany, Alan Davie and Anne…

Features

On Course for Your Career

So you want a career in the creative arts... but where do you start? Should you jump straight in or…

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Opinions & Analysis

The Best of Times is Now

I’ve never been politically driven but I was amazed how many people were offended enough to leave the auditorium (invariably…

Features

Interview with Daniel Kaluuya

Skins writer and actor Daniel Kaluuya is a talent on the rise. He talks to Samiat Pedro about new roles,…

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OPERA REVIEW: Carmen, Royal Albert Hall

The four-act opera unfolded within the brilliantly recreated Iberian settings of Seville and was staged on a round platform that…

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