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THEATRE REVIEW - Romeo and Juliet, The Globe
Romeo and Juliet is one of Shakespeare’s good plays: sex and violence, comedy and tragedy. What else could you want?…
THEATRE REVIEW - Time and the Conways, National Theatre
Human cloning has long been a reality. For evidence of this remarkable achievement; scientists need look no further than the…
THEATRE REVIEW - The Frontline, The Globe
What you see when you see this production – and you really should – will depend upon the whereabouts of…
THEATRE REVIEW: Panic by Improbable, Pit Theatre, Barbican
You’d think it would be cool to be a God: Rock God, Love God, Sex God and even Domestic Goddess…
PHOTOGRAPHY REVIEW: Unordinary People - Royal Albert Hall
“A celebration of today’s multicultural, multi-class and multi-ageist British youth" - it manages to make one want to have been…
OPERA REVIEW: Il trovatore, Royal Opera House
There was a great deal to cheer over: conductor Carlo Rizzi and Dmitri Hvorstovsky as villain Count di Luna both…
THEATRE REVIEW: Death and the Kings Horseman, National Theatre
Director Rufus Norris spent considerable time rehearsing in Oyo and he and choreographer Javier DeFrutos make full use of Yoruba…
THEATRE REVIEW: The Winters Tale, Royal Shakespeare Company
David Farr’s RSC production, currently at the Courtyard Theatre in Stratford-on-Avon, is a play of two halves. Greg Hicks gives…
THEATRE REVIEW: Billy Twinkle, Requiem for a Golden Boy
Ronnie Burkett is a Canadian master marionettiste who writes, directs, builds all the puppets and sets for and does all…
THEATRE REVIEW: The Tempest, Royal Shakespeare Company
One of the reasons why Shakespeare’s plays have remained so attractive to modern audiences is the vast array of possibilities…