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THEATRE REVIEW: England People Very Nice, National Theatre
Richard Bean’s England People Very Nice, directed by Nicholas Hytner at the National Theatre, is intended to reveal the absurdity…
Nostalgia vs Future
It’s not just that Barcelona’s avant-garde doesn’t want to grow up. Nostalgia is a creeping phenomenon.
Re-imaging communities
Murals feature on many a bus or taxi-tour of Belfast, but the powers that be say that any overtly sectarian…
THEATRE REVIEW: The Taming of the Shrew, Royal Shakespeare Company
The prologue is set in a present day pole-dancing bar and allows Morrison to frame the rest of the action…
INTERVIEW: Audio-visual project ‘One eskimO’
One eskimO is a 4-piece band that combines beautiful music with gorgeous animations. Musically, they are produced by Rollo (Faithless)…
THEATRE REVIEW: Big The Musical, Stage One Theatre Company
The songs in this musical are not tremendously catchy, but they are enjoyable, and Stage One performed them all well,…
Profile: Maureen Gamble, Head of Art and Design, University of Worcester
Maureen Gamble (MA, PgDip Fine Art, FHEA) is head of the Division of Art, Design & Creative Digital Media, University…
Hats off to Mr Jones
I spent four days in seven at my old job working for the BBC, and one day a week helping…
A Celebration of African Theatre
Exploration of everything African is now penetrating cosmopolitan London, creating a home from home experience on stage for those living…
THEATRE REVIEW: Othello, RSC, Hackney Empire
It is clear that a great deal of thought and expense has gone into this production and it starts well…