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Krapp’s Last Tape
KRAPPS LAST TAPE: Beneath its deceptively superficial exterior the play is the most poignant of Beckett’s oeuvre – full of…
Mark Ronson on Tour
MARK RONSON: The set started with a catchy but alien instrumental track, “Circuit Breaker”, typifying Ronson’s new sound. Old favourites…
Black History Month
BLACK HISTORY MONTH: These exhibitions focus on the stories of individuals, which is incredibly moving, as we get a glimpse…
Bed-in at The Bluecoat
BED-IN: "To expose the scandal of global poverty, and human rights injustices though the power of craft and public art.…
Hamlet
HAMLET: Shakespeare’s work exposes the virtuoso nature of performing and under Nick Hytner’s direction, the company shines as individuals and…
MONIKER International Art Fair Preview
MONIKER: Laurence Billiet was first on the panel to identify the Internet as a major tool in the promotion of…
Departure Lounge The Musical
DEPARTURE LOUNGE: Why do we say gay, what really happened that Thursday evening on a pub crawl night out in…
Les Misérables: 25th Anniversary
LES MISERABLES: It’s worth the ticket price just to hear Owen Jones sing ‘Bring Him Home; and if you aren’t,…
Jonas Gallows: The Ear of a Drunkard or Dying Man
THE EAR OF A DRUNKEN MAN: The songs are short, melodic but pared-down, bleak but ultimately hopeful. It’s an intense…
CHANGE
CHANGE: The painting is in Eine’s signature font – making it instantly recognisable as his work. The mural stretches 21…