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Partnerships redefine the 2016 Adelaide Biennial
Lisa Slade’s take on the Wunderkammer compounds the adage that everything old is new again, stamping a fresh brand on…
Rise of the robot actor, crouching in your telephone
You want to sell your script? Leave it to your robot minions.
Working in Asia: The real time difference
Countless arts projects in Australia-Asia arts projects falter over different understanding of time.
Books at MIFF: how The Dressmaker was adapted into a film starring Kate Winslet
The film of Rosalie Ham’s 2000 novel The Dressmaker will gain greater recognition for the author. EPA/TAL COHEN The Books at MIFF event…
Legacy trumps a trend: APT8 and performance art
Tired of performance art? APT8 moves beyond the recent hype surrounding performance art and turns to the region for historical…
Piracy: measuring the Yo in Yo Ho Ho
How big is the piracy problem? Will it go away? We look behind the headlines to the significance of Department…
Leading a major performing arts centre
Successful leaders of major performing arts centres in Australia, Singapore, South Korea and NZ juggle financial, political and artistic challenges.
You should really be nicer to your colleagues – rude behavior is contagious
A growing body of research says experiencing or witnessing rudeness can have harmful effects on performance and creativity.
Chief eXperience Officer: a 21st Century job title
ACMI believes it is the first in the world to appoint a Chief eXperience Officer, a position designed to reimagine…
CSI art: forensics enters the gallery
Fascination with forensics is spawning a genre of death art, confronting mortality including some of the most gruesome aspects of…