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Review: 21st Biennale of Sydney
A soft touch lands a cohesive exhibition with a strong message at the hands of Mami Kataoka.
False Claims of Colonial Thieves by Charmaine Papertalk Green and John Kinsella
Good poetry plucks at the heartstrings; it speaks to the emotions as well as to the intellect.
Riccardo Chailly | Igor Stravinsky
A deeply satisfying all-Stravinsky CD of live recordings released by Decca in January
Review: Waqt al-tagheer: Time of change
An erudite exhibition takes a look at the work of contemporary Australian Muslim artists.
Review: Sculpture By The Sea, Cottesloe 2018
Sculpture by the Sea, Cottesloe has ramped up public access with tailored school tours, Auslan- interpreted, Tactile Tours and Beach…
Review: Adelaide Biennial stumbles on curatorial tensions
How divided is our world? ArtsHub takes a look at the Adelaide Biennial of Australian Art and asks whether the…
Australia Council announces next artist for Venice Biennale
A new application process for the Venice Biennale results in a sound outcome for Australia's representative at this major art…
What we must learn from the Deadly Woman Blues fiasco
Deadly Woman Blues should not be forgotten. It remains a useful and instructive example, albeit unintentionally, of the authorial burdens…
4 tips for getting paid: a writer's guide
An author, a literary agent and a copyright expert discuss ways authors can navigate the digital landscape to make money…
Mami Kataoka’s highlights for the 21st Biennale of Sydney
The 21st Biennale of Sydney is not about hierarchies of artists and venues, rather it is about harmony in the…