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Review: William Tell by Victorian Opera, Palais Theatre
Victorian Opera has gone where other Australian companies fear to tread, and emerged all the better for it.
Why John Mawurndjul’s barks are so contemporary
A major survey exhibition tracks a 40 year career, and looks at how an artist has changed the perception of…
Review: Daniel Buren: Like Child’s Play, Carriageworks
Daniel Buren uses steroid-sized children's building blocks to speak about our relationship with the world.
Review: The Geography of Friendship by Sally Piper
We can't ever go back, but some journeys require walking the same path again.
Review: ENOUGH خلص KHALAS, UNSW Galleries
This exhibition communicates a sense of otherness that is very ugly and brutal, but sadly the experience of many Australian…
Why museum tours don’t have to be boring
Museum Hack founder Nick Gray, turned the "museum tour" on its head at the Creative State Summit, offering new ways…
Funds confirmed for Bundanon Trust to build Boyd gallery
The NSW Regional Cultural Fund has committed $8.592 million to Bundanon Trust, and the future development of Arthur Boyd’s Riversdale…
Barcelona based architect reveals 2018 MPavilion commission
Using an origami form that is intended to connect the city and community through a nexus of design, MPavilion is…
Price first, design later - how the arts can learn from IKEA
Setting the price point for an arts event can often be the death of it. IKEA demonstrate how flipping the…
Spencer Tunick on lending his signature aesthetic to global activism
ArtsHub speaks to New York-based photographer and installation artist Spencer Tunick about global activism and what it's like to direct…