Stars leave the ‘Wasteland of Hollywood’ for the bright lights of London

There is something very tangible about being in the presence of your favourite pop or screen star. It’s as if seeing them in the flesh somehow brings us closer to god, or at least closer to something we aspire to (or desire!). But as consumers we rarely see our much-loved stars in person, leave alone at work, particularly with film and television actors and actresses. So it’s really no wonder, t
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There is something very tangible about being in the presence of your favourite pop or screen star. It’s as if seeing them in the flesh somehow brings us closer to god, or at least closer to something we aspire to (or desire!). But as consumers we rarely see our much-loved stars in person, leave alone at work, particularly with film and television actors and actresses. So it’s really no wonder, that the West End productions achieving season sell-outs are the shows starring big names from the screen and music industries. Arts Hub gets the low-down on big name stars in the theatre, as we talk to Maxwell Caulfield to ask what he thinks are the forces behind screen actors and singers turning to the pressures of live theatre performance.

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Marnie McKee
About the Author
Marnie McKee currently lives in London. In the mid-90’s she co-founded ToyBox Circus staging fire and light shows and art installations Australia-wide. Marnie co-produced two major Bodyweather-based works with dancer/director Leah Grycewicz. They toured Pre-Millenium Drinks across Australia (1998); and staged Stratus999, a 3-month site-specific multi-media dance project involving 8 international artists, in Cairns, Queensland. Marnie studied Bodyweather as part of Tess de Quincey’s Sydney-based dance company (1999-2001). In March 2004, Marnie settled in London and has since concentrated on establishing Bodyweather training in London, with dancer/teacher Rachel Sweeney. Together they have worked as AnonAnon, researching and creating interactive performance for site-based work (ranging from nightclub to national park) using immersive, inhabitational and durational tools. Congruently, Marnie has been training with and performing for Stuart Lynch (of Holberg School) in Oslo and London, and more recently, training with Frank van de Ven of Bodyweather Amsterdam in Holland and France.